THE BRIDGE
THE BRIDGE

MEDIA acrylic,texture paste,framed

SIZE 70x90cm

PRICE £ 1800.00

A solitary structure rises through haze, linking one side to another across still water. Reflections blur the boundary between what is real and what is remembered. A quiet meditation on passage, connection, and the spaces in between.

SOLD

AFTER THE STORM
AFTER THE STORM

MEDIA:acrylic,texture paste on canvas, framed

SIZE:60x90 cm, framed

PRICE:£ 1800.00

AVAILABILITY: Currently on exhibition at BobCat Gallery- available exclusively through the gallery.

A calm seascape where light slowly returns after turbulence. Light breaks gently across the water as the world settles into stillness. The boats remain, holding the memory of what has passed. A quiet moment of recovery where silence replaces the storm.

Thistle
Thistle

Media: acrylic, texture paste

Size: 70x95cm

: private collection

THE TENDER COLLAPSE
THE TENDER COLLAPSE

MEDIA acrylic, texture, epoxy on canvas ,framed, Triptych.

SIZE 40x30cm each

PRICE £400.00 for set of three

 - A slow unfolding of form and feeling, The Tender Collapse explores the fragile boundary between growth and dissolution. Layers of colour seem to swell, erode and reform, creating a surface that feels at once organic and uncertain-as if the work is still in the process of becoming.                                 Soft lilacs, mineral blues and muted earth tones merge and resist each other, forming textures that evoke both natural landscapes and something more intimate, almost bodily. There is a quiet tension here: beauty coexists with decay, control gives way to instinct, and structure begins to soften at its edges.

Rather than presenting a fixed image, the triptych invites the viewer into a shifting experience - one that hovers between memory and sensation, where forms are not  defined but felt. In this space of transformation, collapse is not an end, but a gentle, necessary transition.

THE TENDER COLLAPSE
THE TENDER COLLAPSE

Close look of one piece of three

THE TENDER COLLAPSE
THE TENDER COLLAPSE

Close look of one piece of three

THE TENDER COLLAPSE
THE TENDER COLLAPSE

Close look of one piece of three

POETRY OF THE BIG SMOKE
POETRY OF THE BIG SMOKE

MEDIA acrylic,oil,texture paste,plastic and metal subjects on canvas

DESCRIPTION: Poetry of the Big Smoke is a textured,atmospheric reflection on London as a living organism -busy,layered, rough and unexpectedly tender. Earthy pigments, industrial tones and embedded details echo the city’s constant motion: working rhythms, circular routes,small personal breakthroughs.

Amid the raw surface,tiny symbols appear and disappear like moments in the crowd-suggesting bees,ants,people,matter itself-all moving with purpose,none more important than the other.The painting gently plays with scale and identity,reminding us that whether human,stone or metal,we all belong to the same shared flow.

This work celebrates the quiet poetry hidden inside everyday city life -the romance of routine, the beauty of persistence,and the strange harmony of chaos that makes London feel endlessly alive.

SIZE 120x90cm

PRICE £2500.00

AVAILABILITY available

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VANILLA DAWN
VANILLA DAWN

SIZE 100x100cm,framed

PRICE £ 3500.00

AVAILABLE

VANILLA DAWN is a very personal meditation on distance- on the quiet longing for the sea while living within the rhythm of the big city. Built from just three colours- burnt umber, peach-pink and titanium yellow- the painting unfolds in delicate layers,where light becomes the true subject. At first glance, it feels almost weightless: a pale, fog- laced expanse where the sea dissolves into air. But slowly, forms begins to surface- low, shifting structures that suggest rocks,shoreline, or something remembered rather than seen. The texture carries a quiet energy, as if the tide has passed through and left its trace behind. What makes this piece alive is its relationship with light. In the morning, it softens into a near- whisper- cool, milky, almost white, like a coastline wrapped in mist. By the day, its transitions reveal themselves: subtle blends, gentle tensions, a careful balance between calm and movement. And in the evening, under artificial light, it deepens into rich, peach- toned shadows, as if the sea itself is holding onto the last warmth of the day. There is no drama here- only presence. A stillness that invites you to pause, to breathe, to listen. This is not just a seascape. It is a feeling of the sea carried inward.

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ILLUMINATED
ILLUMINATED

MEDIA Acrylic, texture paste on canvas, framed

SIZE 20x20 cm three pieces each

PRICE £240.00 set of three

AVAILABLE 

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EPHEMERALITY
EPHEMERALITY

This painting began as an exploration of texture, time and impermanence - and somewhere along the way, a very recognisable organic form decided to appear inside a flower. The presence of a phallic shape is intentional, but not provocative. It sits quietly within the bloom as a reminder that life, creation, vulnerability and absurdity are inseparable. Growth is rarely polite, and nature has a sense of humour of its own. Layers of acrylic build up, crack, drip and erode, recording time as something that both creates and dismantles. The surface feels in motion, as if the image is still becoming- or gently disappearing. EPHEMERALITY reflects on fleeing nature of bodies, forms, and meaning itself. Nothing here is fixed, not even our interpretation. Even symbols we take very seriously are temporary - and occasionally a little awkward.

SIZE 60x40cm, framed

PRICE 400.00

SOLD

EVENING MASS
EVENING MASS

A city dissolves into dusk as warm yellow light leaks through stone and air.     Architecture rises like a memory  rather than a map, while unseen figures hurry inward, drawn by ritual, habit or quiet need. The painting captures that suspended moment when the city exhales and something sacred briefly takes over.

SIZE 50x40cm, framed

PRICE 350.00

Available 

THE INNER COURT
THE INNER COURT

Walls soften with time, their surfaces carrying the quiet weight of years. Architecture emerges and fades, as if memory itself has taken form - layered, imperfect, enduring. This is a place left behind by footsteps and voices, where silence settles not as absence, but as presence.

SIZE 50x40cm, framed

PRICE 350.00

SOLD

BOOBS
BOOBS

 BOOBS is exactly what it says on the surface- and absolutely not  just that.

Bold, impudent and gloriously unapologetic, this work celebrates the body  without asking permission. It’s tactile, sculptural, and deliberately confrontational: breasts not as decoration or provocation for others, but as presence. They exist. They take space. They don’t explain themselves.

Embedded references , raw texture and flashes of humour collide with symbols of control, judgement and restrictions. The flies- delicate ,sparkling, slightly absurd playful details- disrupt the seriousness, reminding us that empowerment doesn’t always arrive politely -sometimes it laughs, smirks and takes up space.

Confident. Messy. Funny. No bra. No filter. No apologies.

SIZE 30x30cm

PRICE  400.00

AVAILABLE 

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MACHINERY OF TIME
MACHINERY OF TIME

A mixed-media triptych . This work is sold as a single triptych and is not available as individual panels.

DESCRIPTION. Exploring time as a constructed system- layered, repetitive, and quietly relentless.  Drawing on mechanical imagery, fractured surfaces, and clockwork elements, the work reflects on how time governs both our external structures and inner lives.

Each panel functions as part of larger rhythm rather than a standalone piece, reinforcing the idea of time as something continuous and inescapable.Textured surfaces, embedded details, and visible disruptions suggest erosion, memory,and tension order and decay. Presented as a single , unified work, the triptych invites the viewer to slow down and consider time not as a straight line, but as a complex mechanism- one we move within, rather than control.

SIZE 30x30cm each panel. framed.

PRICE 650.00

AVAILABILITY: Currently on exhibition at BobCat Gallery- available exclusively through the gallery 01-27 May 2026

Part of triptych
Part of triptych

Time isn’t linear. It cracks.It rusts. It glows beneath the surface.

Part of triptych.
Part of triptych.

EVERY SECOND LEAVES A MARK

Part of triptych
Part of triptych

Time doesn’t break quietly… It fractures. It shifts. It remembers.

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CHELSEA HARBOUR
CHELSEA HARBOUR

Charged with movement and tension, this cityscape pulses with energy. Steel greys and deep blues are fractured by flashes of heat, holding chaos and structure in a delicate, restless balance. A powerful urban rhythm runs through this work- layered, dynamic, charged, confident- a city fully awake.

SIZE 65x90cm, framed

PRICE 1500.00

AVAILABLE 

THE GEOMETRY OF BECOMING
THE GEOMETRY OF BECOMING

This work explores the moment where pressure transforms into change- where something contained can no longer remain silent.

 The repeated circular forms, embedded into the surface, echo the cycles we move through in life : thoughts, emotions, patterns, memories. They suggest structure, control, and continuity- but also confinement. Over time, these circles begin to fracture, distort, and collapse under invisible weight.      

 From within this tension, a rapture emerges.

 Molten textures break through the surface like an emotional eruption- raw, uncontrolled, and necessary. The vivid reds and burning oranges cut through the muted greys, marking a passage from suspension to release, from stillness to transformation.  

This is not destruction. It is a breakthrough.    

   A moment where the internal becomes visible. Where struggle reshapes identity.         Where something new begins- not gently, but truthfully.              

                                                The work reflects the human experience of carrying, enduring, and ultimately breaking through- into clarity, into change, into becoming.

SIZE 65x90cm, framed

PRICE £ 1800.00

AVAILABLE 

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THE ALCHEMY OF BECOMING
THE ALCHEMY OF BECOMING

There are moments in life when change is no longer gentle. It burns, breaks, reshapes .

In THE ALCHEMY OF BECOMING, opposing forces meet- heat and calm, intensity and stillness, instinct and awareness. The surface feels almost geological, like something formed under pressure, where fragments fuse, fracture, and reform into something entirely new.

The glowing, molten tones push through layers of cooler blues and greys, suggesting an inner fire that refuses to be contained. It is not destruction, but transformation- the quiet, powerful process of becoming through friction.

This work exists in dialogue with The Geometry of Becoming. Where one explores structure and order, this piece reveals what happens beneath- the raw, unpredictable alchemy that drives all change.

Nothing here is fixed. Everything is in the act of becoming.

SIZE 65×90, framed

PRICE £1800.00

AVAILABLE

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TIMEKEEPER
TIMEKEEPER

Part of MACHINERY OF TIME. Holding the whole world in rhythm.

SIZE 20×20cm, framed

PRICE £100.00

AVAILABILITY: Currently on exhibition at BobCat Gallery-available exclusively through the gallery 01-27 May 2026

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OBSERVER
OBSERVER

Part of MACHINERY OF TIME . The owl- wise, watchful, almost guarding time.

SIZE 20×20cm, framed

PRICE £100.00

AVAILABILITY: Currently on exhibition at BobCat Gallery-available exclusively through the gallery 01-27 May 2026

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MOMENTUM
MOMENTUM

Part of MACHINERY OF TIME. Movement.Force.Time in motion.

SIZE 20×20cm, framed

PRICE £100.00

AVAILABILITY: Currently on exhibition at BobCat Gallery-available exclusively through the gallery 01-27 May 2026

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IMG_4073.jpeg
STILLNESS.
STILLNESS.

Part of MACHINERY OF TIME. Calm.Grounded. A pause within the machinery.

SIZE 20×20cm, framed

PRICE £100.00

AVAILABILITY:Currently on exhibition at BobCat Gallery- available exclusively through the gallery 01-27May 2026

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THE BRIDGE
AFTER THE STORM
Thistle
THE TENDER COLLAPSE
THE TENDER COLLAPSE
THE TENDER COLLAPSE
THE TENDER COLLAPSE
POETRY OF THE BIG SMOKE
IMG_8402.jpeg
IMG_8407.jpeg
IMG_8408.jpeg
IMG_8412.jpeg
IMG_8433.jpeg
VANILLA DAWN
IMG_1461.jpeg
ILLUMINATED
IMG_1460.jpeg
IMG_1459.jpeg
EPHEMERALITY
EVENING MASS
THE INNER COURT
BOOBS
IMG_3561.jpeg
IMG_3560.jpeg
MACHINERY OF TIME
Part of triptych
Part of triptych.
Part of triptych
IMG_3597.jpeg
IMG_3604.jpeg
IMG_3598.jpeg
IMG_3609.jpeg
IMG_3595.jpeg
CHELSEA HARBOUR
THE GEOMETRY OF BECOMING
IMG_3973.jpeg
IMG_3974.jpeg
IMG_3970.jpeg
THE ALCHEMY OF BECOMING
IMG_4004.jpeg
IMG_3997.jpeg
IMG_3988.jpeg
TIMEKEEPER
IMG_4105.jpeg
IMG_4108.jpeg
IMG_4109.jpeg
IMG_4110.jpeg
OBSERVER
IMG_4094.jpeg
MOMENTUM
IMG_4095.jpeg
IMG_4073.jpeg
STILLNESS.
IMG_4117.jpeg
IMG_4064.jpeg
IMG_4115.jpeg
IMG_4065.jpeg
IMG_4067.jpeg
THE BRIDGE

MEDIA acrylic,texture paste,framed

SIZE 70x90cm

PRICE £ 1800.00

A solitary structure rises through haze, linking one side to another across still water. Reflections blur the boundary between what is real and what is remembered. A quiet meditation on passage, connection, and the spaces in between.

SOLD

AFTER THE STORM

MEDIA:acrylic,texture paste on canvas, framed

SIZE:60x90 cm, framed

PRICE:£ 1800.00

AVAILABILITY: Currently on exhibition at BobCat Gallery- available exclusively through the gallery.

A calm seascape where light slowly returns after turbulence. Light breaks gently across the water as the world settles into stillness. The boats remain, holding the memory of what has passed. A quiet moment of recovery where silence replaces the storm.

Thistle

Media: acrylic, texture paste

Size: 70x95cm

: private collection

THE TENDER COLLAPSE

MEDIA acrylic, texture, epoxy on canvas ,framed, Triptych.

SIZE 40x30cm each

PRICE £400.00 for set of three

 - A slow unfolding of form and feeling, The Tender Collapse explores the fragile boundary between growth and dissolution. Layers of colour seem to swell, erode and reform, creating a surface that feels at once organic and uncertain-as if the work is still in the process of becoming.                                 Soft lilacs, mineral blues and muted earth tones merge and resist each other, forming textures that evoke both natural landscapes and something more intimate, almost bodily. There is a quiet tension here: beauty coexists with decay, control gives way to instinct, and structure begins to soften at its edges.

Rather than presenting a fixed image, the triptych invites the viewer into a shifting experience - one that hovers between memory and sensation, where forms are not  defined but felt. In this space of transformation, collapse is not an end, but a gentle, necessary transition.

THE TENDER COLLAPSE

Close look of one piece of three

THE TENDER COLLAPSE

Close look of one piece of three

THE TENDER COLLAPSE

Close look of one piece of three

POETRY OF THE BIG SMOKE

MEDIA acrylic,oil,texture paste,plastic and metal subjects on canvas

DESCRIPTION: Poetry of the Big Smoke is a textured,atmospheric reflection on London as a living organism -busy,layered, rough and unexpectedly tender. Earthy pigments, industrial tones and embedded details echo the city’s constant motion: working rhythms, circular routes,small personal breakthroughs.

Amid the raw surface,tiny symbols appear and disappear like moments in the crowd-suggesting bees,ants,people,matter itself-all moving with purpose,none more important than the other.The painting gently plays with scale and identity,reminding us that whether human,stone or metal,we all belong to the same shared flow.

This work celebrates the quiet poetry hidden inside everyday city life -the romance of routine, the beauty of persistence,and the strange harmony of chaos that makes London feel endlessly alive.

SIZE 120x90cm

PRICE £2500.00

AVAILABILITY available

VANILLA DAWN

SIZE 100x100cm,framed

PRICE £ 3500.00

AVAILABLE

VANILLA DAWN is a very personal meditation on distance- on the quiet longing for the sea while living within the rhythm of the big city. Built from just three colours- burnt umber, peach-pink and titanium yellow- the painting unfolds in delicate layers,where light becomes the true subject. At first glance, it feels almost weightless: a pale, fog- laced expanse where the sea dissolves into air. But slowly, forms begins to surface- low, shifting structures that suggest rocks,shoreline, or something remembered rather than seen. The texture carries a quiet energy, as if the tide has passed through and left its trace behind. What makes this piece alive is its relationship with light. In the morning, it softens into a near- whisper- cool, milky, almost white, like a coastline wrapped in mist. By the day, its transitions reveal themselves: subtle blends, gentle tensions, a careful balance between calm and movement. And in the evening, under artificial light, it deepens into rich, peach- toned shadows, as if the sea itself is holding onto the last warmth of the day. There is no drama here- only presence. A stillness that invites you to pause, to breathe, to listen. This is not just a seascape. It is a feeling of the sea carried inward.

ILLUMINATED

MEDIA Acrylic, texture paste on canvas, framed

SIZE 20x20 cm three pieces each

PRICE £240.00 set of three

AVAILABLE 

EPHEMERALITY

This painting began as an exploration of texture, time and impermanence - and somewhere along the way, a very recognisable organic form decided to appear inside a flower. The presence of a phallic shape is intentional, but not provocative. It sits quietly within the bloom as a reminder that life, creation, vulnerability and absurdity are inseparable. Growth is rarely polite, and nature has a sense of humour of its own. Layers of acrylic build up, crack, drip and erode, recording time as something that both creates and dismantles. The surface feels in motion, as if the image is still becoming- or gently disappearing. EPHEMERALITY reflects on fleeing nature of bodies, forms, and meaning itself. Nothing here is fixed, not even our interpretation. Even symbols we take very seriously are temporary - and occasionally a little awkward.

SIZE 60x40cm, framed

PRICE 400.00

SOLD

EVENING MASS

A city dissolves into dusk as warm yellow light leaks through stone and air.     Architecture rises like a memory  rather than a map, while unseen figures hurry inward, drawn by ritual, habit or quiet need. The painting captures that suspended moment when the city exhales and something sacred briefly takes over.

SIZE 50x40cm, framed

PRICE 350.00

Available 

THE INNER COURT

Walls soften with time, their surfaces carrying the quiet weight of years. Architecture emerges and fades, as if memory itself has taken form - layered, imperfect, enduring. This is a place left behind by footsteps and voices, where silence settles not as absence, but as presence.

SIZE 50x40cm, framed

PRICE 350.00

SOLD

BOOBS

 BOOBS is exactly what it says on the surface- and absolutely not  just that.

Bold, impudent and gloriously unapologetic, this work celebrates the body  without asking permission. It’s tactile, sculptural, and deliberately confrontational: breasts not as decoration or provocation for others, but as presence. They exist. They take space. They don’t explain themselves.

Embedded references , raw texture and flashes of humour collide with symbols of control, judgement and restrictions. The flies- delicate ,sparkling, slightly absurd playful details- disrupt the seriousness, reminding us that empowerment doesn’t always arrive politely -sometimes it laughs, smirks and takes up space.

Confident. Messy. Funny. No bra. No filter. No apologies.

SIZE 30x30cm

PRICE  400.00

AVAILABLE 

MACHINERY OF TIME

A mixed-media triptych . This work is sold as a single triptych and is not available as individual panels.

DESCRIPTION. Exploring time as a constructed system- layered, repetitive, and quietly relentless.  Drawing on mechanical imagery, fractured surfaces, and clockwork elements, the work reflects on how time governs both our external structures and inner lives.

Each panel functions as part of larger rhythm rather than a standalone piece, reinforcing the idea of time as something continuous and inescapable.Textured surfaces, embedded details, and visible disruptions suggest erosion, memory,and tension order and decay. Presented as a single , unified work, the triptych invites the viewer to slow down and consider time not as a straight line, but as a complex mechanism- one we move within, rather than control.

SIZE 30x30cm each panel. framed.

PRICE 650.00

AVAILABILITY: Currently on exhibition at BobCat Gallery- available exclusively through the gallery 01-27 May 2026

Part of triptych

Time isn’t linear. It cracks.It rusts. It glows beneath the surface.

Part of triptych.

EVERY SECOND LEAVES A MARK

Part of triptych

Time doesn’t break quietly… It fractures. It shifts. It remembers.

CHELSEA HARBOUR

Charged with movement and tension, this cityscape pulses with energy. Steel greys and deep blues are fractured by flashes of heat, holding chaos and structure in a delicate, restless balance. A powerful urban rhythm runs through this work- layered, dynamic, charged, confident- a city fully awake.

SIZE 65x90cm, framed

PRICE 1500.00

AVAILABLE 

THE GEOMETRY OF BECOMING

This work explores the moment where pressure transforms into change- where something contained can no longer remain silent.

 The repeated circular forms, embedded into the surface, echo the cycles we move through in life : thoughts, emotions, patterns, memories. They suggest structure, control, and continuity- but also confinement. Over time, these circles begin to fracture, distort, and collapse under invisible weight.      

 From within this tension, a rapture emerges.

 Molten textures break through the surface like an emotional eruption- raw, uncontrolled, and necessary. The vivid reds and burning oranges cut through the muted greys, marking a passage from suspension to release, from stillness to transformation.  

This is not destruction. It is a breakthrough.    

   A moment where the internal becomes visible. Where struggle reshapes identity.         Where something new begins- not gently, but truthfully.              

                                                The work reflects the human experience of carrying, enduring, and ultimately breaking through- into clarity, into change, into becoming.

SIZE 65x90cm, framed

PRICE £ 1800.00

AVAILABLE 

THE ALCHEMY OF BECOMING

There are moments in life when change is no longer gentle. It burns, breaks, reshapes .

In THE ALCHEMY OF BECOMING, opposing forces meet- heat and calm, intensity and stillness, instinct and awareness. The surface feels almost geological, like something formed under pressure, where fragments fuse, fracture, and reform into something entirely new.

The glowing, molten tones push through layers of cooler blues and greys, suggesting an inner fire that refuses to be contained. It is not destruction, but transformation- the quiet, powerful process of becoming through friction.

This work exists in dialogue with The Geometry of Becoming. Where one explores structure and order, this piece reveals what happens beneath- the raw, unpredictable alchemy that drives all change.

Nothing here is fixed. Everything is in the act of becoming.

SIZE 65×90, framed

PRICE £1800.00

AVAILABLE

TIMEKEEPER

Part of MACHINERY OF TIME. Holding the whole world in rhythm.

SIZE 20×20cm, framed

PRICE £100.00

AVAILABILITY: Currently on exhibition at BobCat Gallery-available exclusively through the gallery 01-27 May 2026

OBSERVER

Part of MACHINERY OF TIME . The owl- wise, watchful, almost guarding time.

SIZE 20×20cm, framed

PRICE £100.00

AVAILABILITY: Currently on exhibition at BobCat Gallery-available exclusively through the gallery 01-27 May 2026

MOMENTUM

Part of MACHINERY OF TIME. Movement.Force.Time in motion.

SIZE 20×20cm, framed

PRICE £100.00

AVAILABILITY: Currently on exhibition at BobCat Gallery-available exclusively through the gallery 01-27 May 2026

STILLNESS.

Part of MACHINERY OF TIME. Calm.Grounded. A pause within the machinery.

SIZE 20×20cm, framed

PRICE £100.00

AVAILABILITY:Currently on exhibition at BobCat Gallery- available exclusively through the gallery 01-27May 2026

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